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credits: 7Artisans 7Artisans’ previously rumoured AF 10mm f/2.8 lens for APS-C cameras is here, launching first for Sony E and Fujifilm X mounts. As an ultra-wide 10mm prime (105.3° field of view), the lens is built around an 11-element, 10-group optical design that includes specialised elements to keep distortion and edge softness under control. It offers an aperture range from f/2.8 to f/16 and uses a 7-blade diaphragm that can create a 14-point sunstar when you stop it dow

credits: OWC OWC has introduced the StudioStack, an expansion unit that sits on top of the Mac Studio and adds a boost in storage and ports without taking up any extra desk space. Inside, it can hold both an NVMe M.2 2280 SSD (up to 8TB for now) and a 3.5-inch SATA hard drive up to 24TB, giving you as much as 32TB of extra room to work with. The NVMe slot is also ready for larger drives once 16TB models eventually hit the market. This setup makes it easier to split fast proje

credits: Llano Llano has introduced the CS2 Pro 4-in-1 Camera Battery Charger, a compact charging and storage hub for photographers that travel a lot and want to keep their gear simple and organised. It is designed to handle a few different jobs at once, namely charging batteries, working as a power bank, reading memory cards, and storing small accessories. The kit includes two 2600mAh Aurora batteries, a 10,400mAh built-in power bank, a 20W USB-C fast charger, and a USB 3.0

credits: AstrHori AstrHori’s new 9mm f/2.8 APS-C lens is finally here. It is a fully manual ultra-wide lens for mirrorless systems including Sony E, Fujifilm X, Nikon Z, Canon RF, and Micro Four Thirds. With a 13.5mm full-frame equivalent focal length, it delivers a 111.4° angle of view, making it ideal for interiors, landscapes and cities. The lens has an all-metal build with a built-in petal-shaped hood to help reduce flare and protect the front element. It has a 62mm filte

credits: Light Lens Lab Light Lens Lab has unveiled its latest creation, the 35mm f/1.4 Aspherical “11873” for Leica M-Mount. The lens is a modern reimagining of the rare Leica Summilux 35mm f/1.4 double-sided aspherical lens from the late 1980s. The company says it set out to replicate the unique optical character of that original lens while improving on precision, distortion control and chromatic aberration to suit today’s high-resolution sensors. The new 35mm f/1.4 feature

credits: Mint/Rollei 35AF Mint finally addressed one of the main requests regarding their Rollei 35AF cameras, the ability to use filters. In direct response to community feedback, the company launched a new Filter Kit including a UV filter, Black Mist 1/4 filter and yellow filter, all of which attach via a new magnetic adapter. According to Mint, the project reflects the same philosophy that guided the original Rollei 35 cameras, which were gradually improved over time throu

credits: Sony After Canon’s big EOS R6 Mark III reveal, attention in the camera world is already shifting toward what’s next, the upcoming Sony A7 V. According to new reports, Sony plans to unveil the long-awaited successor to the A7 IV in the first week of December, making it likely the final major camera launch of 2025. A new leaked image of the camera surfaced recently, confirming its design is nearly finalised, and now, Sonyalpharumors says they are “100% certain” the A7

credits: Godox Godox just announced a new modular lighting setup, the iT32 iFlash and X5 TTL Wireless Flash Trigger, and it is something interesting for photographers who jump between different camera brands. Instead of buying separate flashes for each system, the iT32 lets you swap out the hot shoe to match whatever camera you are shooting with. The flash itself doesn’t have a built-in shoe at all, it connects magnetically to the X5 trigger, which comes in different versions

Canon has officially introduced the EOS R6 Mark III, the long-awaited successor to the R6 II, and while it looks similar on the outside, the changes inside suggest a more substantial upgrade than first impressions might indicate. The new camera is built around a 32.5-megapixel full-frame sensor, a noticeable jump from the R6 II’s 24.2 megapixels, and one that Canon says it developed alongside its cinema division. It’s paired with the familiar DIGIC X processor, which helps ma

credits: Nikon It looks like Nikon’s long-awaited Z9 II won’t be showing up this year after all. According to several reliable sources, the next-generation flagship mirrorless camera has been delayed and is now expected sometime in 2026. Earlier reports pointed to a late 2025 reveal, possibly timed ahead of the Winter Olympics, but that window now seems off the table. The latest information suggests the launch could happen after April 1, 2026, which marks the start of Nikon’s

credits: Pocket Dispo Pocket Dispo has introduced a new “Pro” version of its vintage-inspired pinhole lens, a rebuild that keeps the spirit of the original but adds some usability improvements. While it looks nearly identical to the first model, the Pocket Dispo Pro has been redesigned from the ground up, featuring a sturdier carbon-fibre composite body and, most notably, a new adjustable focus ring. The Pro version is available for Sony E, Fujifilm X, and Canon RF mounts. Li

credits: Capture One Capture One has released version 16.7, adding a handful of new tools and quality-of-life improvements. The update includes seven big new features, along with improved camera support and better tethering stability for several systems. Specifically, Capture One now offers Canon lens profiles for every RF camera, enhanced Fujifilm tethering, and immediate compatibility with new releases like the Fujifilm X-T30 III, Leica M EV1, and Canon C50. One of the bigg