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credits: Blackmagic Design DaVinci Resolve just got another big update for photographers, with Blackmagic Design expanding the relatively new Photo page in DaVinci Resolve 21.1. The Photo page was first introduced in April before officially launching in June, and this latest update adds native photo support for several more camera systems. That includes Fujifilm GFX and X-series cameras, Leica SL cameras, and the Sony a7R VI, meaning their files can now be opened and edited d

credits: Pentax Ricoh Imaging has officially discontinued all of its current Pentax K-series DSLRs, bringing the current chapter of Pentax digital SLR cameras to an end. This is not exactly unexpected. The Pentax KF was discontinued earlier this year, followed by the full-frame K-1 Mark II just last week, leaving Pentax without a current DSLR in production. Ricoh has now confirmed that this is part of a wider transition and fortunately not the end of Pentax DSLRs altogether.

leaked photos A major Canon EOS R8 Mark II leak has given us what looks like the most complete specification list yet, just days before the camera’s expected announcement. Canon is reportedly sticking with the familiar 24MP full-frame sensor from the EOS R6 Mark II, with a native ISO range of 100–102,400. The camera is expected to use Dual Pixel AF II with Deep Learning AI, including updated animal tracking, while a new rear joystick should make AF-point control considerably

credits: Sigma The long promised Sigma 85mm f/1.2 DG Art is finally here, giving Sigma its longest f/1.2 prime lens yet. The new 85mm joins the 35mm f/1.2 DG Art II and 50mm f/1.2 DG Art, completing Sigma’s current trio of ultra-fast wide, standard and medium-telephoto primes. As you would expect, this one is meant for portrait photography, combining the f/1.2 maximum aperture with a rounded 13-blade diaphragm for very shallow depth of field. Inside, Sigma uses SLD glass to c

credits: Sigma Four newly redesigned Sigma lens filters are coming this November, with the company updating both their optical design and filter frames to reduce their impact on photo quality. The lineup includes the WR Ceramic Protector PTC-21, WR Protector + UV PUV-21, standard Protector LPT-21, and WR Circular PL Filter CPL-21. The Ceramic Protector is designed mainly around impact resistance, while the PUV-21 combines UV protection with a water- and oil-repellent coating.

credits: Sony Sony has announced the FE 8-14mm f/3.5 Fisheye G, its first fisheye lens for E-mount and its first full-frame fisheye in about 20 years. Sony’s last first-party option was the 16mm f/2.8 for A-mount back in 2006, itself based on a Minolta design, so this has been a pretty big gap in the E-mount lineup. The new lens is also a little different from the usual fixed-focal-length fisheye. It has a 180-degree angle of view throughout the zoom range, transitioning from

credits: Adobe Adobe Camera Raw 18.6 is here, and the headline addition this time is a new Glow tool that brings three analog-inspired effects directly into ACR, Diffusion, Bloom, and Halation. You will find it in the Effects panel alongside Grain and Vignette. Diffusion gives your photo a softer, hazier look similar to shooting through a Black Mist or Pro-Mist filter, while Bloom concentrates that softer glow more around highlights. Halation ,on the other hand, adds the warm

credits: OM System We are now just one day away from the official OM PEN announcement, and one of the last big pieces of information may have just leaked, the price. According to numerous sources, the new Micro Four Thirds camera will cost around $1,265 for the body, which is a noticeable step up from the Olympus E-P7, which can currently be found for around $900, but the OM PEN is expected to add two pretty important things the E-P7 did not have, a built-in electronic viewfi

credits: Leica Leica has announced the Summicron-M 66mm f/2, a modern reinterpretation of the Elcan 66mm f/2, a lens designed by Dr. Walter Mandler at Ernst Leitz Canada in the late 1960s for the U.S. Navy. Only around 200 originals were produced, and they were built for covert reconnaissance work where getting as much fine detail as possible from a relatively small lens was the priority. For the new version, Leica has kept the basic optics and mechanics of the original but u

credits: Canon With just over a week to go before the expected announcement, we are getting a much clearer idea of what to expect from the Canon EOS R8 Mark II. A new list of rumoured specifications largely backs up what we have heard over the past few weeks, but there are a few surprises mixed in. Canon is reportedly sticking with the familiar 24MP full-frame sensor from the EOS R6 Mark II, paired with a fully electronic shutter capable of 40 fps and a maximum shutter speed

credits: Nikon Nikon has released the first firmware update for the Coolpix P1100, bringing the camera from version 1.0 to firmware 1.1. It is a pretty small update, with no new features this time around, but it fixes two bugs that could actually show up during normal shooting. The more important one involves continuous shooting. In some situations, the P1100 could stop responding when the zoom was adjusted while shooting a burst. That is a particularly relevant fix for this

credits: Canon Canon’s PowerShot comeback is continuing to take shape, and the company’s upcoming high-end compact apparently won’t be the G7 X Mark IV many people were expecting. According to the latest information, the new PowerShot will be a fairly significant departure from the G7 X Mark III and not a straightforward successor. That lines up with an earlier source who described the camera as “nothing like previous G series cameras.” There have been some conflicting rumour