All Articles

credits: Leica Leica is rolling out new finishes for four of its well-known M lenses. Three of them, the Summilux-M 35mm f/1.4 ASPH., Summilux-M 50mm f/1.4 ASPH., and Summicron-M 28mm f/2 ASPH., now come in the company’s familiar olive-green “Safari” finish. Leica has used this colourway on and off for decades, and it has become a fan favorite, especially among people who pair these lenses with Safari-edition rangefinder bodies. The fourth lens in this mini-release, the Summi

credits: Canon Canon appears to have a new camera in the pipeline, at least if recent wireless registration filings are anything to go by. Since every upcoming camera with Wi-Fi must pass through regulatory databases before release, these listings have become an unofficial early warning system for new gear. They don’t always lead anywhere (companies sometimes register products that never ship) but they often give a decent hint about what is coming next. In this case, Canonrum

credits: Pixii Pixii is putting the brakes on its yearly release cycle and won’t launch a new camera in 2025, a first since the company began its annual update rhythm back in 2020. In a newsletter to users, founder David Barth joked about whether Pixii had accidentally turned itself into “the Apple of photography” with its consistent timing, before explaining why 2025 will be a gap year. The team is deep into developing what he calls a genuinely new successor, one that appare

credits: Sony Sony has refreshed one of its most basic full-frame zooms, introducing the FE 28-70mm f/3.5-5.6 OSS II. On paper, it looks almost identical to the original kit zoom from 2013, but the update brings faster communications and autofocus performance to better match Sony’s modern bodies. Sony says the lens can now keep up with AF/AE tracking at up to 120 fps (something the old version couldn’t do) though it is obviously not a natural companion for a flagship like the

credits: Viltrox Viltrox has officially released the AF 85mm f/2.0 EVO for E-mount, a compact full-frame portrait prime that weighs 340 grams and uses a 58mm filter thread. Internally, it is built around 10 elements in 8 groups, including two extra-low-dispersion elements to limit axial chromatic aberration and two high-refractive elements to help control field curvature and maintain edge-to-edge sharpness. The new version also adds a USB-C port on the lens mount for firmware

credits: Sony The Sony a7 V is finally here, arriving just over four years after the a7 IV. The new model adopts a partially stacked 33-megapixel BSI sensor, marking a major shift from the older non-stacked design and enabling significantly faster readout speeds. Paired with Sony’s brand-new BIONZ XR2 processor (the first time this chip has appeared in any Alpha camera) the a7 V now delivers blackout-free shooting at up to 30 frames per second with the electronic shutter, whi

credits: Sony According to new leaks, Sony’s next fast zoom might be a 16–28mm f/2 GM, which would finally round out the company’s growing set of constant-f/2 zooms. After the 28–70mm f/2 GM in 2024 and the 50–150mm f/2 GM in 2025, most people figured a wide-angle option was coming sooner or later. Rumours have been floating around for weeks, but this is the first time we have gotten an actual focal range. There aren’t any firm specs or timing yet, though, and it doesn’t look

credits: Pergear Pergear has introduced a new 50mm f/1.2 manual-focus lens available for Fujifilm X, Sony E, Nikon Z, Canon RF, and Micro Four Thirds mounts, and on the outside it carries a very clear 1980s inspired look. Everything is fully mechanical, including the aperture ring and focus ring, and there is no electronic communication with the camera. Pergear also added fluorescent paint to the distance and aperture markings so the controls stay visible when shooting at nig

What Is Infrared Photography? Infrared photography captures light that the human eye can’t see, specifically wavelengths just beyond visible red, typically between 700 nm and 900 nm. You are essentially photographing a hidden version of reality and depending on the type of infrared you shoot deciding what colours that invisible world gets to wear (for example —> you can make foliage (leaves) turn white, gold, peach, or pink.)) The Technical Side Your camera’s sensor is natura

credits: Viltrox Viltrox has released a new ultra-wide option for Fujifilm shooters, the AF 9mm f/2.8 Air. It is an autofocus APS-C prime that lands at a 13.5mm full-frame equivalent and covers a 113.8° field of view. Inside, Viltrox is using a 13-element, 11-group optical layout that includes two aspherical elements, three extra-low dispersion elements, and three high-refractive elements to help keep distortion, chromatic aberration, and edge softness under control despite t

credits: Sony While everyone is waiting for the upcoming A7 V, Sony decided to drop something else first, major firmware upgrades for the widely used A7R V and A7 IV. Both cameras get a noticeable bump in autofocus customisation, new workflow tools and some long-requested interface changes that bring them closer in behaviour to Sony’s newer Alpha models. The updated AF system now includes a larger Spot, XL focus area for subjects that don’t stay put, plus three Custom AF zone

credits: Nikon/ Faloo Mi Nikon and RED are teaming up on a new set of Imaging Recipes for Nikon cameras, set to go live on December 10. Nikon hasn’t shared much about what these new profiles will look like yet, but the company is hinting at a deeper blend of RED’s colour science with Nikon’s own processing pipeline. RED and Nikon previously released a set of RED-developed LUTs in late 2024 that received a lot of praise, so naturally expectations are high. While we wait to see