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credits: Camp Snap Camp Snap has announced the 110D, a small screen-free digital camera that brings back the long, horizontal shape of classic 110 film cameras. The design takes some inspiration from cameras like the Minox and Lomography Lomomatic 110, giving it a slim body that can fit into a pocket or hang from a wrist strap or lanyard. It looks pretty different from Camp Snap’s other cameras, but underneath that new body, quite a bit of the hardware is actually familiar. T

credits: Nikon Nikon could finally be about to launch its first new photography-focused camera of 2026, with the Nikon Z5IIC reportedly arriving on September 24. According to the latest leaks, it will be a compact full-frame camera built around much of the technology from the Z5II, but packed into a smaller body. The expected starting point is the same 24MP full-frame sensor and 5-axis IBIS, although it is not yet clear whether the stabilisation system will match the Z5II’s m

credits: Adobe Photoshop Elements 2027 is here, and once again the focus is on making photo editing easier for people who do not need, or simply do not want, the complexity of the full Creative Cloud version of Photoshop. One of the bigger additions is Adobe’s AI Assistant, which recently appeared in beta in the company’s main Creative Cloud apps and is now making its way into Elements. It is still a beta feature here too, but it can provide step-by-step instructions and reco

credits: Canon Canon has updated its Speedlite EL-5, and the Version 2 model now gives you a 50-meter wireless range, up from 30 meters on the original. That extra 20 meters should be useful for larger lighting setups, particularly when flashes need to be spread across venues or positioned farther away from the camera. You can still wirelessly control up to 15 Speedlites across five groups. Beyond that, Canon has pretty much left the EL-5 alone, with the core flash specificat

credits: Panasonic Panasonic has added another small prime to its full-frame lineup with the new Lumix S 20mm f/2.5, an ultra-wide lens for L-Mount cameras. It sits between Panasonic’s existing 18mm f/1.8 and 24mm f/1.8 in focal length, but physically it is much closer to the company’s newer compact 40mm f/2 and 18-40mm f/4.5-6.3. The 20mm measures 40.9mm long and weighs 142g, comes in black or silver, has dust- and splash-resistant construction, and uses the same 62mm filter

credits: Capture One Capture One version 16.8.6 for desktop and 4.1 for mobile is here. And besides a few nice additions, the update also brings Capture One’s newer wireless tethering system to two more Canon cameras. 2nd Gen Wireless Tethering now works with the Canon EOS R3 and the brand new EOS R6 Mark III (do not worry, we will take a much closer look at the new Canon R6 in this week’s Sunday magazine issue), joining the EOS R1 and EOS R5 Mark II, which received support e

credits: Affinity Canva’s Photoshop competitor Affinity just received a new update, and photographers are getting quite a few new tools. Version 3.3 adds more control over curves, blending and masking, alongside a new Blend Tool for creating and adjusting repeated or transitioning elements. There is also a new scripting system that can automate repetitive pixel, vector and layout tasks, including parts of a photo-editing workflow. The more interesting changes are happening in

credits: Sony Sony has unveiled its first compact professional super-telephoto prime, the FE 600mm f/6.3 GM OSS, and the big story here is just how light it is for a 600mm full-frame lens. It weighs only 995g and measures 263mm long, while still accepting standard 95mm front filters. For comparison, Nikon’s Nikkor Z 600mm f/6.3 VR S weighs 1,390g, making the Sony almost 400g lighter. It is also cheaper, Sony is pricing its new 600mm at $3,699, compared with $5,196.95 for the

credits: Viltrox Viltrox brought quite a bit of new gear to IBC 2026, one of the world’s major annual trade shows for broadcasting, filmmaking, photography and media technology, held in Amsterdam. This year, Viltrox arrived with seven new autofocus lenses covering full-frame and APS-C cameras, alongside a new flash and camera monitor. Four of those lenses are new full-frame L-Mount models, the AF 14mm f/4 L, AF 20mm f/2.8 L, AF 40mm f/2.5 L, and AF 50mm f/2 L. These are relat

credits: Fujifilm The Fujifilm Instax Pal is back for a second generation, and this time it looks more like an actual camera. The original Pal was a tiny, strangely rounded digital camera that launched three years ago, but Fujifilm has pretty much gone back to the drawing board for the Instax Pal 2. The new model has a small, chunky design inspired by classic film cameras, complete with a built-in optical viewfinder, something the original did not have. There is also a shutte

credits: Wise Wise has announced a new generation of CFexpress 4.0 Type B memory cards, and the main change with the MK-IV series is something we are likely to hear more about as cameras increase bitrates, dual VPG certification. The 512GB card carries both VPG400 and VPG800, while the 1TB, 2TB and 4TB versions jump straight to VPG400 and VPG1600. That means the cards are certified to maintain the sustained write speeds required by both current cameras and future models that

credits: Canon A new Canon patent suggests the company is looking at ways to make longer macro lenses more compact, and one of the designs could potentially point toward something like an RF 200mm f/4L Macro in the future. Japanese patent 2026-144200 describes a five-group optical setup where only two groups move during focusing, while the front, middle, and rear groups stay in place. That is particularly useful with macro lenses because getting all the way down to 1:1 magnif