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credits: Cosina The Voigtländer Portrait Heliar 75mm f/1.8, which first launched last May for Sony E-mount, is now also available for Canon RF and Nikon Z mirrorless cameras. Like most Cosina-made Voigtländer lenses, it is fully manual focus and has a traditional aperture ring. What sets this lens apart, though, is the additional spherical aberration control ring, which lets you directly influence the character of the bokeh and overall rendering. That third ring adjusts how t

credits: Nikon While most of the industry has moved on from DSLRs, one Chinese manufacturer appears to be doubling down on the Nikon F-mount. According to recent rumours, Meike plans to continue developing new lenses for the aging DSLR system. The reasoning is simple, even though hardly anyone is buying new DSLRs anymore, there are still a huge number of F-mount cameras out there in active use. Earlier this year, Meike already refreshed the mount with its $230 AF 85mm f/1.8 S

credits: Xiaomi Xiaomi’s idea of turning a smartphone into something closer to a modular camera system seems to be moving beyond the concept stage. The company first showed its so-called Modular Optical System (MOS) at MWC 2025, and now multiple sources claim that production is already underway, with a possible release this year. Instead of being a simple add-on lens (which there are a few of already), the module is designed as a separate camera unit that attaches magneticall

credits: Zeiss Zeiss is about to introduction a new 35mm f/1.4 Apo Distagon lens for Nikon Z, Sony E, and Canon RF mounts, with an announcement scheduled just ahead of CP+ 2026, around February 23–24. The lens would become the third model in the Otus ML series, following the 50mm f/1.4 and 85mm f/1.4 that marked Zeiss’s return to the lens market after years of inactivity. Like the existing Otus ML lenses, the 35mm will feature apochromatic correction meant to minimise both la

credits: Tamron A few days ago Tamron hinted that something new was coming, and now the cat is basically out of the bag. Images and detailed specifications of the upcoming Tamron 35-100mm f/2.8 have surfaced online. The lens is expected to launch for both Sony E-mount and Nikon Z-mount. According to the leaked specs, the E-mount version measures 119.2mm in length and weighs 565 grams, while the Z-mount version comes in slightly larger at 121.5mm and 575 grams. The lens report

credits: Canon The release window for the Canon EOS R7 Mark II is getting much clearer, and at the same time, the first early signs of an EOS R10 Mark II are starting to appear. Over the past few weeks, several sources have pointed to a first-half 2026 launch for the R7 Mark II, and that timeframe is now narrowing down even further. May or June 2026 is currently looking the most likely scenario, which also fits with recent FCC filings Canon submitted in the United States, oft

credits: Cosina Cosina has announced the Voigtländer Septon 40mm f/2 Aspherical for full-frame Sony E and Nikon Z mirrorless cameras. It is a relatively compact manual-focus prime, especially in E-mount form, where it measures 30mm in length and weighs 165 grams. The Nikon Z version is slightly larger at 32mm and 205 grams. Both versions use 52mm filters and Cosina continues its habit of giving each mount a slightly different exterior design. The Sony version has a diamond-pa

credits: Ricoh A New firmware update (version 1.11) for the Ricoh GR IV and GR IV HDF is here, and the big news is that the standard GR IV now gets an electronic shutter. That feature was already available on the GR IV HDF and the GR IV Monochrome, and Ricoh had said it would eventually make its way to the regular model. With this update, all three GR IV variants are now up to date when it comes to high-speed shooting. The addition matters because of how the GR IV handles exp

credits: Tamron Tamron is apparently getting ready to introduce a new telephoto zoom for Nikon Z mount, with several reports suggesting an announcement could happen as soon as next week. Nothing has been officially confirmed yet, but the lens is rumoured to weigh around 560 grams, which would make it noticeably lighter than many constant-aperture zooms in this class. What is a bit unusual is the reported focal length of 35–100mm. Most standard zooms stay within the familiar 2

The Micro Four Thirds system is getting a new supporter, something we do not see all that often. While the L-Mount Alliance has regularly made headlines by adding new partners, OM Digital Solutions has now confirmed that Shenzhen Sonida Digital Technology Co., Ltd. will officially support the Micro Four Thirds standard going forward. The Chinese company sells products under its own Songdian name and also works behind the scenes as an ODM manufacturer for other brands, mostly

credits: 7Artisans 7Artisans’ AF 25mm, 35mm, and 50mm f/1.8 LITE lenses are here. It is a trio of autofocus primes designed for APS-C mirrorless cameras with Sony E, Fujifilm X, and Nikon Z mounts. All three share the same external dimensions at 67mm in diameter and 51mm in length, use metal housings, and weigh just under 200 grams. Looking closer at the optical designs, there are some meaningful differences between the focal lengths. The 25mm f/1.8 uses an 8-element, 5-group

credits: OM-System OM System has officially announced the OM-3 Astro, a specialised version of the OM-3 built specifically for astrophotography. Inside, the camera uses the same 20.4-megapixel stacked BSI Micro Four Thirds sensor as the standard model, but the key difference is what sits in front of it. The infrared cut filter has been modified to allow full transmission of H-alpha light, which is crucial for capturing the deep reds found in nebulae. On most standard cameras,