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credits: Glyph Memory and storage device manufacturer Glyph is expanding beyond external solid state drives and into camera memory with the announcement of a series of CFexpress Type B cards. It is a move we have already seen from other storage brands like OWC. The new cards fall under the Capture+ series and are based on the newer CFexpress 4.0 standard, with capacities ranging from 256GB up to 4TB. The lowest capacity card, the 256GB, appears to be more designed to support

credits: Blackmagic Design Adobe Lightroom is getting an unexpected new competitor, and it is coming from Blackmagic Design. With the latest update, DaVinci Resolve 21 is adding a dedicated Photo page, bringing a full set of still image editing tools into software that has traditionally been focused on video editing and colour grading. The main difference here is that Resolve is bringing its node-based grading system over to still images. Instead of stacking edits in layers l

credits: Cosina Less than two months after introducing the Nokton Vintage Line 75mm f/1.5, Cosina has announced another 75mm option for Leica M-mount users, this time going in a very different direction. The new Voigtländer APO-Skopar 75mm f/2.8 is built around a much more compact design, measuring 44mm in length and weighing 191 grams. That makes it closer in size to a typical 50mm lens, and the narrow 54mm barrel is designed so it does not block the rangefinder frame lines,

credits: Viltrox Viltrox is teasing a pretty wide range of new gear ahead of NAB Show 2026, taking place April 18–22. One of the main highlights is the next step for its EVO series, including new APO lenses that are expected to be officially announced during the show. These are meant to improve optical performance while still keeping things practical for both photo and video work. Another big focus is the L-mount lineup, which Viltrox has been building up more seriously latel

credits: Westsott Westcott has announced the S18 Mini, a compact and basic on-camera flash. It delivers 18Ws of output with a guide number of 16 at ISO 100, which puts it a bit above what you would get from a built-in flash, but still well below a full-size speed-light. It uses a single-pin hot shoe, so it will work across different camera brands, but there is no TTL or any kind of automatic exposure control. Everything here is manual. Power can be adjusted across 19 steps ov

credits: Meike Meike has announced a new AF 56mm f/1.7 Air lens for APS-C Sony E-mount cameras, adding another lightweight option to its lineup. On APS-C, that 56mm works out to roughly an 85mm equivalent, so it sits right in that classic short telephoto range that is often used for portraits. Looking at the specs, the lens uses an 11-element, 7-group optical design and has a 9-blade aperture, which should help with smoother background rendering. The aperture runs from f/1.7

credits: Panasonic New Panasonic rumours are starting to circulate, with updates expected across both full-frame and Micro Four Thirds systems. On the full-frame side, the LUMIX S9 II is said to stick with its compact, lightweight design but fix some of the main complaints about the original. The addition of a hot shoe is a big one, along with improvements to the overall build, which should feel more solid and less “plastic” this time around. The LUMIX S5 III is expected to m

New Sony A7R VI rumours and leaks just dropped, and there is quite a bit to go through. The camera is still said to be in limited testing, with a release expected sometime around June 2026, likely coming before the next Alpha 7S model. The biggest talking point is a new 67-megapixel partially stacked sensor, although some reports also mention an 80MP fully stacked version, which suggests Sony might still be deciding on the final setup. Readout speeds are rumoured to hit 60fps

credits: TTArtisan TTArtisan has announced the AF 17mm f/1.8 Air, a compact APS-C wide-angle prime that focuses on keeping size and weight down while still offering autofocus. The lens weighs 161 grams and has a full metal body. It is designed around a 17mm focal length, equivalent to roughly 25mm on full-frame systems, with an 81-degree angle of view. On the inside, it uses a 14-element, 10-group design, which is actually pretty complex for something this small. That kind of

credits: Eizo Eizo has announced the ColorEdge CS3200X, a new 31.5-inch 4K UHD (3840 × 2160) monitor for photographers who need consistent, accurate colour for editing and print work. It is the largest model in the current CS Series lineup, and the main difference here is simply the extra space. Compared to smaller displays, it gives you more room to work with high-resolution files while still keeping your tools visible. The monitor covers 99% of Adobe RGB, which is good news

credits: OM System The Micro Four Thirds system has had a pretty turbulent few years. Olympus stepped away from the camera business, Panasonic shifted a lot of its attention to full-frame, and for a while it felt like MFT was slowly fading out. But recently, both OM Digital Solutions and Panasonic have started sounding a bit more optimistic again, and this time there are some more concrete signs behind it. One of the bigger changes is that OM System CEO Shigemi Sugimoto is no

credits: Brightin Star Brightin Star has officially announced the MF 11mm f/2.8 II, a follow-up to its ultra-wide prime that keeps the same extreme field of view but updates both the design and optics. The lens delivers a 182-degree angle of view, which puts it among the widest options you can get for full-frame cameras. That kind of coverage is really about capturing as much of a scene as possible in one frame, often with noticeable distortion, making it more suited for land