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credits:Viltrox Viltrox has announced two new conversion lenses for Fujifilm’s X100-series cameras: the WCL-X100VI wide conversion lens and the TCL-X100VI telephoto conversion lens. Both are designed to mount directly to the fixed 23mm f/2 lens used across the X100 lineup, including the latest X100VI, and are intended to expand the camera’s effective focal length options without changing the core shooting experience of the system. All X100 cameras use the same built-in 23mm f

credits: Rewindpix Rewindpix is a new digital camera project from photographer and designer Xiao Liu, built around the idea that digital shooting has gotten a bit ‘too fast’ and ‘too screen-heavy’. After trying cameras like the Camp Snap and FlashBack One, Liu felt they still didn’t capture the feeling of the compact film cameras many people grew up with. So Rewindpix, with its upcoming camera goes in the opposite direction, a big, bright optical viewfinder, a mechanical wind

credits: Darkroom Darkroom has rolled out version 7, and it is one of the most substantial updates the app has seen in its decade of existence. The company rebuilt the entire rendering engine to better handle today’s big RAW files, high-resolution photos, and increasingly heavy video formats. The app still looks familiar, but navigation is smoother, edits respond faster, and everything just feels more stable. Darkroom also says that the overhaul isn’t just about fixing curren

credits: 7Artisans 7Artisans started teasing its next lens, posting a silhouetted shot of it along with three clues: 1. large aperture for stunning bokeh, 2. portrait focal length for beautiful detail, 3. precision focus for total creative control. Taken together, the hints point toward a classic portrait prime, most likely something in the 85mm range if it is full-frame, paired with an aperture faster than f/1.8. An f/1.4 (or even wider) which would match the kind of shallow

credits: Viltrox Viltrox has had a busy December, and on top of its new X100-series conversion lenses (which we will take a closer look at in this week’s Sunday issue), the company has also rolled out a 2x teleconverter for Sony E-mount. The new converter is already listed at B&H, and Viltrox says it works with the same Sony telephoto lenses supported by Sony’s own 2x converter. That includes the Sony 70–200mm f/2.8 GM and GM II, the 100–400mm, 200–600mm, and 400–800mm zooms,

credits: Leica At the moment, two big rumours are swirling around the photography world, one from Leica and one from Pentax. On the Leica side, the talk centers on a new SL-series body said to sit between the 60MP SL3 and the 24MP SL2-S, giving Leica a middle-resolution option that the lineup currently lacks. The camera will reportedly use a 44.3MP sensor, allegedly related to the one in the Panasonic S1R II, which would make sense given prior sensor-sharing across the L-moun

credits: Godox Godox has unveiled the AD300Pro II, a refreshed version of its popular 300Ws outdoor flash arriving about five years after the original. On paper, the core specs haven’t changed much, it still outputs 300Ws, delivers around 350 flashes per charge, and recycles anywhere between 0.01 and 1.5 seconds depending on power level. Physically, the unit remains relatively compact at about 18.7 × 10 × 9 cm and weighs roughly 1.2 kg with the battery installed. One big new

credits: Ethan Hoover The Canon AE-1 turns 50 in April 2026, and for a while now people have been expecting Canon to celebrate with a digital reboot inspired by the original film camera. The rumoured successor, the Canon EOS RE-1, pops up every few months, usually with nothing new, but this time there is finally something fresh, according to Canonrumors, multiple sources claim the RE-1 will use the 32.5-megapixel sensor from the EOS R6 Mark III. Earlier talk pointed to a 24-m

credits: Viltrox Viltrox is preparing to release two new conversion lenses designed for Fujifilm’s popular X100-series cameras. The company has started teasing them on its official Weibo page, and even though details are still thin, the images make it pretty clear what they are going for. These converters appear to mirror Fujifilm’s own TCL-X100 II telephoto attachment and WCL-X100 II wide converter, which are the standard options X100 shooters turn to when they want somethin

credits: Tamron Tamron’s 150–500mm f/5–6.7 Di III VC VXD lens just got a new firmware update and it brings several meaningful technical improvements, especially for Sony shooters. One of the biggest additions is improved autofocus behaviour while zooming, something long telephoto zooms often struggle with due to shifting optical groups. Tamron says the lens now maintains focus more consistently during focal-length changes, which should help in AF-C when subjects move unpredic

credits: PolarPro PolarPro has introduced a new three-piece diopter system called Shift. It is designed to give photographers and filmmakers quick access to closer focusing distances without having to swap lenses. The set includes +2, +4, and +8 strengths, each reducing a lens’s minimum focusing distance to 50 cm, 25 cm, and 12.5 cm (19.7, 9.8, and 4.9 inches). The diopters don’t change focal length, they simply bring the focal plane forward so lenses can focus on subjects th

credits: Leica Leica is rolling out new finishes for four of its well-known M lenses. Three of them, the Summilux-M 35mm f/1.4 ASPH., Summilux-M 50mm f/1.4 ASPH., and Summicron-M 28mm f/2 ASPH., now come in the company’s familiar olive-green “Safari” finish. Leica has used this colourway on and off for decades, and it has become a fan favorite, especially among people who pair these lenses with Safari-edition rangefinder bodies. The fourth lens in this mini-release, the Summi