credits: Leica The Leica D-Lux 8 is a small but premium compact camera aimed at enthusiasts. It’s an update to the D-Lux 7, keeping the same 17MP Four Thirds sensor and 24-75mm f/1.7-2.8 lens, but with a refreshed design, a much-improved OLED viewfinder, and a simplified interface. What’s New? The biggest change is the viewfinder—it’s now OLED, which eliminates the rainbow-like fringing that some users saw in the previous model. The rear touchscreen is sharper, and Leica has redesigned the controls to feel more streamlined, ditching the old exposure comp dial in favor of a customizable command dial. It also now supports DNG Raw files, making editing easier, and it has USB-C charging. The Bluetooth connection is updated to 5.0, but Wi-Fi is still limited to 2.4GHz, which isn’t the fastest. Image Quality & Performance Image quality is solid, but the sensor is showing its age. Compared to larger APS-C cameras like the Fuji X100 VI or Ricoh GR III, the D-Lux 8 has more noise at high ISOs and less dynamic range. The lens is sharp, but oddly, it doesn’t perform quite as well in tests as the Panasonic LX100 II, which has the same optics. Autofocus & Usability Autofocus is basic but reliable, with face detection and tracking. The biggest downside? The zoom is slow, with a frustrating lag that makes quick adjustments difficult. Battery life is under 300 shots, so you’ll want to keep a charger handy. Final Verdict The D-Lux 8 looks great and feels great, with classic Leica design and simple controls. But for $1,595, it’s a tough sell. The sensor is old, the zoom is sluggish, and performance isn’t a huge step up from the D-Lux 7. If you love the Leica aesthetic and need a compact zoom, it’s worth considering. But for pure image quality and usability, you might find better value elsewhere.

cc: Adobe Adobe’s Firefly Video Model is now in public beta, making it the only AI video tool that’s safe for commercial use. It can create short, five-second video clips in 1080p at 24fps, with tools to adjust zoom, camera angles, and even generate content from still images, text, or 3D sketches. A 4K version is coming soon. Adobe also rolled out new Firefly plans: $9.99/month for 2,000 video/audio credits or $29.99/month for 7,000 credits. Prices go up after March 15. Creative Cloud users get limited access unless they upgrade. Big brands like Gatorade and Dentsu are already using it, and Adobe says Firefly AI has generated 18 billion assets so far.

cc: Polarpro Polarpro recently came out with a few new Gadgets. Their new BaseGrip, ThumbGrip, and SoftShutter. They are designed to add comfort and style without messing up that classic retro aesthetic or your Leica Q3 or Fuji X100 Series. The BaseGrip is the real star here. It gives you a more secure hold, protects the bottom of your camera from scratches, and even has a built-in Arca tripod plate. The Fuji X100VI version has a single tripod mount, while the Leica version includes an extra side mount for easy vertical shooting. Then there’s the ThumbGrip and SoftShutter, which add just enough extra control without overcomplicating things. And the best part? They come in bronze or black—bronze for a vintage, high-end feel, or black if you prefer a stealthier, low-key look.

Could you tell us a bit about yourself? Hi I’m Moses I’m a photographer based in Sydney, Australia. I’ve been doing photography for about 3 years now. I shoot a variety of genres including night, street and portraits. What got you started with photography? I started photography shortly before the COVID-19 pandemic. I found myself at a point in life where I didn’t have any real direction and wanted to find a purpose and something I could enjoy as a hobby. That eventually led me to trying photography, and the rest is history. When you go out to shoot, do you have specific shots in mind or is it all freestyle? For street photography, it’s mostly freestyle. I plan a rough route of where I’d like to shoot, but I’ve found the most success not having a specific plan and going with the flow at the time I’m shooting. For portraits and paid work, I do try and think of specific shots but I also mix it up if I think of some ideas at the time of the shoot. What are your favourite shooting conditions (night, rain, sunlight, etc.)? Definitely rainy nights. The atmosphere you can capture in this environment is one of a kind. What gear do you use? I use a Canon R5 with a bunch of RF lenses and some Sigma prime lenses. Currently, my favourite lens is my RF 70-200mm f/2.8 L IS USM lens What is your favourite editing software and how much time do you spend editing? Favourite editing software would be Adobe Lightroom Classic. Because of my specific editing style, I do spend a lot of time editing. One photo could take anywhere from 30 minutes to hours and hours depending on the complexity of the edit. But I love editing so it never feels like a drag. What keeps you motivated? Sharing my work to people who are passionate about photography, meeting like-minded people in the community and sharing my knowledge to beginners all keep me motivated and continue to make me want to do what I’m doing every day. What do you try to transmit through your work? I like to leave most of my work open to interpretation. As an example, a lot of my work revolves around a single subject in a moody, eerie or dystopian environment. How people interpret this theme is up to them. There are no wrong answers in art. Who or what is your source of inspiration? I’m inspired by photographers and filmmakers. I could name so many people! Recently, the likes of @henrifilm and @wrapped.nil have inspired me to be more experimental in my photography. As for filmmakers, I’m a huge fan of both Christopher Nolan and Dennis Villeneuve. Any tips for beginners? The rest, 5 more questions, of this Interview are for Premium subscribers only. Subscribe to the Premium Version here

Can you tell us a bit about yourself? I'm Tommi Viitala, a Helsinki-based street photographer with a long background in the creative industry. I’ve been exploring street photography for over four years, focusing on contrasts, shadows, and the fleeting moments of urban life. How did you get into photography? I started with film cameras in the 1990s and have been capturing images ever since. My passion for street photography grew out of a desire to document the beauty and unpredictability of everyday moments. How do you approach storytelling through your photos? I focus on capturing fleeting, candid moments that raises emotions and leave space for viewers own interpretation. My goal is to let each viewer find their own story within the frame, guided by the contrasts, light, and composition I carefully craft. How do you define street photography in your own terms? Street photography is about capturing raw, unfiltered moments of life in public spaces. It's a mix of spontaneity and observation, where the mundane becomes extraordinary through timing and perspective. What attracts you to street photography compared to other types of photography? I’m drawn to the unpredictability and authenticity of street photography. It’s a challenge and a thrill to find beauty and meaning in the chaos of everyday life, where no two moments are ever the same. How do you capture emotion in your photos? I focus on timing, body language, and facial expressions, often framing subjects in contrasting light or shadow to amplify the mood. The goal is to create images that resonate emotionally with viewers through subtle, candid details. What gear do you use? I primarily use a Fujifilm X-series camera X100f with a compact fixed 23mm lens, as it’s discreet and versatile—perfect for blending into the street environment while maintaining high image quality. What are your favorite shooting conditions? I embrace surely all weather condiditions, but I have to choose, I love shooting on sunny days with strong light and shadows, as they add depth and drama to my compositions. Early mornings or late afternoons, when the light is softer and more directional, are particularly ideal. How do you approach photographing strangers in public spaces—do you ask permission or shoot discreetly? I typically shoot discreetly to capture those candid, authentic moments. I rely on intuition and respect for my subjects, that's why i rarely shoot directly example portraits — but when I do, I try to ask permission. Is there a type of photography or genre you haven’t explored yet but would like to? I’m intrigued by documentary photography, especially projects that dive deeply into cultural or social themes. It would be interesting to explore storytelling on a broader scale with more narrative depth. What does photography mean to you? Photography is a way to freeze fleeting moments, to see the extraordinary in the ordinary. It’s both an art form and a personal journey of observing and connecting with the world around me. How did you find your photography style? My style developed over time through experimentation and refining what resonates with me—contrasts, shadows, and symmetry. Observing the works of other photographers and reflecting on my own images helped me define a unique visual voice. Do you have a specific location or city that you think offers the best opportunities for street photography? Budapest is close to my heart, with its unique light, urban atmosphere, and the understated stories it offers. That said, any city with diverse people and dynamic street life can provide incredible opportunities. Especially Budapest metro stations are incredible. What are your thoughts on AI in photography? AI can be a powerful tool for enhancing workflows and exploring creativity, but I believe the essence of photography lies in the human perspective. AI should complement creativity, not replace the authentic connection between the photographer and the subject. Any tips for beginners? The rest, 5 more questions, of this Interview are for Premium subscribers only. Subscribe to the Premium Version here

Can you tell us a bit about yourself? My name is Edgar Ortiz. I was born and raised in Chicago, Illinois. From a young age I have loved being creative and enjoy every form of art, drawing, painting, music and now photography. How did you get into photography? When I was making my beat tapes I wanted a unique album cover. I figured creating my own by photography would work best for my ideas. I enjoyed taking photos of people and editing them on my cellphone, decided it was time to invest on a camera. You have quite a unique photography/editing style, how did you find it? When I began doing photography I had music in my mind. I visualize poster boards and album covers, I would go out to create photos for those visions. As far as my editing style goes, I was deep into black and white photography from the beginning. Since I am color blind I wanted to challenge myself and implemented color in my photos. Often my photos may look over saturated, but in my eyes it all looks good. As far as I can tell you only do street photography, did you ever try something completely different like nature/landscape photography? I have not had a chance to do nature photography, but is on my to-do list. Chicago having such a great skyline has given me the inspiration to create some landscape photos. I have done a few portraits sessions of close family and friends for special events. How do you stay inspired and motivated to continue creating new and unique photographs? I am inspired by the art that surrounds me. Always open to new ideas and try to learn new form of art within photography or outside of it. Can you share a story about a particularly memorable shoot or a photo you took?  A memorable shoot was one with my friend @ghosh_sid in Chinatown Chicago. It started pouring and I just fell in love with creating photos in those types of elements. We were drenched, it was a great time. What gear do you use? I use a Sony a7iii with a Sony 85 1.8, Sigma 35 1.4, Tamron 70-180mm 2.8, and a Rokinon 24mm 2.8 What is your favorite editing software and how much time do you spend time editing? I use Lightroom and I am learning Photoshop. I spend about ten minutes in each photo. What do you think makes a photograph successful, and how do you measure the success of your own work? In my opinion photos succeed by having great detail, color, and contrast. The scenery in a photo and the subject help out a lot. I am a student to photography, I feel like I am barely starting and still have a lot to learn. How do you use framing in your photos? The rest, 4 more questions, of this Interview are for Premium subscribers only. Subscribe to the Premium Version here

Can you tell us a bit about yourself ? I'm Bruno, I'm 42 years old and I was born in the city of Porto, I love taking photos and walking, which is perfect because I can combine two things I like and take photos around the city How did you get into photography? I gained a taste for photography a little late, only at the age of 35 or 36 with the purchase of a Huawei p9 lite, as is well known, Huawei has always been focused on photography, without really knowing how I found myself in a photography group from Huawei, it was here that my love for photography began to be born, I saw what they posted and thought about it for myself, I would like to  take some photos like that, from then on I started taking photos and I never stopped until now. How do you approach storytelling through your photos? Apart from a specific case, I don't usually have the typical approach that every photo has to have a story to tell, I like to photograph freely, I go for a walk around the city and just photograph what I like, be it people, monuments, landscape, the only thing I really like is fog, so I like the photos to always have that mysterious atmosphere. How do you define street photography in your own terms? I think that Street photography is a photographic genre that captures scenes of everyday life in public spaces, such as streets, squares, markets or public transport.  It seeks to record authentic moments in the community or urban environment. I usually say that street photography is the moment, you take the photo at that moment and it is unique, you can try to recreate it but it will never be exactly the same, we are left with moments that are ours forever. What attracts you to street photography compared to other types of photography? What attracts me is that sometimes in street photography it's all a matter of seconds, if you miss that window of time you won't get it back, but when you get the click in the perfect timing and see that it turned out the way you wanted it gives a great feeling of accomplishment. How do you capture emotion in your photos Capturing emotions in a photo has a lot to do with what you can photograph, for example, people's expressions whether happy or sad or displays of affection like kisses or hugs, I think it's the best way to convey emotions in photography    What gear do you use? As you can see, 90% of my photos on Instagram are from smartphones, only about 6 months ago I purchased a Sony A6400 with the Sigma 18-50mm f2.8 lens, I already have several photos on the page with the camera but I still consider myself more a mobile photographer and for that I have a Google pixel 7 pro a Huawei p60 pro and an Honor Magic 6 pro. What are your favourite shooting conditions? My favorite conditions for shooting are with fog, rainy days so I can make my reflections, a type of photos I really like to take, cloudy days, and at sunset and sunrise.    How do you approach photographing strangers in public spaces—do you ask permission or shoot discreetly? I prefer discreetly because I like to catch people acting naturally, when we ask to take photos, the person themselves will no longer look natural because they know they are being photographed, that's one of the things I like about taking photos with a cell phone, we can be very more discreet    Is there a type of photography or genre you haven’t explored yet but would like to? Yes, I would like to explore more photographing people, portraits and starting to do photo sessions, I recently did my first photo session and I liked it but it is definitely the type of photography that I am least comfortable doing and that I need to explore more What does photography mean to you? Photography is very important for me, it is my escape from the daily routine, it is my natural therapy so to speak and in addition it has allowed me to meet a lot of people, some of whom I can call friends. How did you find your photography style? Simply by photographing, this is the only way we can discover our photographic style by experimenting, I give the example of black and white photography, when I joined the Huawei photography group most of the photographs were in black and white and I started like that too, but I soon realized that it wasn't my style of photography, I like color in photos, although I don't think I have a photographic style because I like street photography as well as landscapes or monuments, I like a little bit of everything and I don't let myself just stick to it. a style of photography, but I can say that I am already well known for my photos of reflections in the city of Porto. Do you have a specific location or city that you think offers the best opportunities for street photography? The rest, 6 more questions, of this Interview are for Premium subscribers only. Subscribe to the Premium Version here

Can you tell us a bit about yourself? I am Alex Schönberg, 45 years old and living in Hamburg, Germany. In my works, I try to capture the everyday scenes of a city, which also shape them under the typical weather conditions that prevail there. My works are difficult to assign a particular direction to, it is most a mixture of architecture, street, fine-art and people. How did you first get into street photography? Was it love at first click? That was at the beginning of October 2015, when I had already been producing music and writing lyrics for 15 years, when a doctor unexpectedly recommended that I ‘just go for more walks’. I immediately realised that I was getting bored of just walking around... I didn't think twice, went into a shop and bought a camera straight away. And so began my journey into the world of photography.In the beginning, I photographed all kinds of things. Street photography was also part of it. But I realised that street photography challenges me the most and offers a lot of creative possibilities. Street photography is a much bigger ocean of possibilities for me than landscape photography, for example. What’s the wildest or most unexpected thing you’ve captured on the street? It was a foggy morning in Hamburg, sporadically the sun came through the clouds, the atmosphere was incredible! I was near the Elbphilharmonie and on the bench I noticed a man holding an analogue medium format camera in his hands, we got talking.... Every now and then I looked in the direction of the Elbphilharmonie and saw a naked woman in one of the hundreds of windows, posing or doing some kind of gymnastics. I was stunned at first and thought she was posing for me and started taking photos of her. Then the man came up to me again and said to me: ‘How could you see her, you have an incredible eye, because it's so far away...?’ I said to him: ‘I'm a street photographer, I see things like that...’ I think the most interesting aspect of street is that the most beautiful and coolest photos come unexpectedly, you should just get out and take pictures, just be there   How do you decide where to go and shoot? Is it planned or more spur-of-the-moment? When I visit another city, I try to photograph a kind of reportage and visit the important places and squares that make up the city. But most of my photos are taken because I see the situation at that moment. I really like to feel and experience a new city without What’s your go-to gear setup when you hit the streets? in 90% sony A9II with sony 24-70mm f2.8 GM and for the night sony 35mm f1.4 and 135mm f1.8. Sometimes analog with minolta xd7 and 50mm 1.4   Do you prefer shooting in the chaos of a busy street or in quieter, more intimate spaces? I always try to be as variable as possible, but I feel a little more comfortable in chaos)) How do you approach people on the street if you want to include them in your shots? I also like the photos with the people from behind more than the frontal ones, they look more mystical, more faceless... Are there any tricks you use to stay unnoticed when shooting? In most cases, I first look for or see an interesting place/background, then I check the surroundings and the lighting situation and ask myself what would have to happen here (e.g. where would a person have to walk past here...) so that it all makes a good photo? It's often the case that people see you and don't want to disturb you while you're taking a photo, so they stand still... For an outsider, I usually behave as if I'm simply waiting for someone at this spot and happen to be holding my camera in my hand or pretend that I'm simply photographing a certain detail on the wall, i.e. as if it's not about ‘the passers-by’ at all... What’s the most challenging thing about street photography for you? Street is a labour of patience! You have to try to keep an overview of a lot of things: Choose the right background wait for the right moment keep moving yourself, things often develop very dynamically... Often it has a lot to do with anticipating what might happen... Thinking in advance about whether it's worth taking a photo of this person or not. How do you decide whether a photo is better in black and white or colour? If the colours in the photo distract from the main message or are rather distracting, then black and white is better. But there are actually no specific rules as to when black and white is better. For me, the more graphic the image is, the more likely it is to be converted to black and white. How do you know when you’ve nailed the shot? Is it instinct or something else? It happens all the time that I take photos that I haven't planned, you can't really plan much in the street. You should always be awake, see, anticipate, look for interesting spots, find unusual light situations, weigh things up and be in the right place at the right moment! I often instinctively realise that this is the shot, but there are often photos that only open up to our eyes at second glance. ...And some have to mature on the hard disc for a few years before they are ready :)   Have you ever had a shoot that just didn’t go as planned? How did you deal with it? The rest, 4 more questions, of this Interview are for Premium subscribers only. Subscribe to the Premium Version here

Can you tell our readers a bit about yourself? My name is Mike, I’m a street and bokeh photographer from the Chicagoland area. How did you start with photography? I originally started as a teenager when making skate videos with friends. Then after that I spent more time on the hobby while studying filmmaking at community college. How can you convey a specific mood or emotions through a photograph? The conditions, aesthetics, and lighting are some factors that could help convey specific moods and emotions. Also finding the right scene and framing for what you are trying to express can add certain elements to the image. How did you find your photography style? I found my style from shooting and editing on the regular. Also searching for new inspiration helped me experiment with different styles. Sharing a lot also helped. How do you use storytelling in your photography, and what do you think are the most important elements of a successful visual narrative? I use storytelling by constructing a frame or image that shows the viewer a scene and an environment that I’m trying to connect them with. The composition is very important when using storytelling in photography. I frequently concept compositions that are aesthetically pleasing and revisit them when the conditions and scene is right for what I’m trying to convey. Timing and perspective are also key when capturing moments in a successful visual narrative. What gear do you use? I’m currently using a Sony a7c with a Sony 40mm 2.5 G. I’ve only been shooting with one focal length each year as sort of a challenge for myself. Last year I used a 85mm and a 55mm the previous year. What editing software do you use and have you got any editing tips? I’m currently editing with Lightroom mobile. Thoroughly learning color grading can have a tremendous impact on your work and can save you a lot of time. What are your favourite shooting conditions (night, rain, sunlight, etc.) Daytime rain is my favorite. The wet streets and sidewalks help me see the world in a different way. How do you stay motivated? I stay motivated by enjoying the process and progressing with my work. Who or what inspires you ? The rest, 4 more questions, of this Interview are for Premium subscribers only. Subscribe to the Premium Version here

Can you introduce yourself to our readers? Hey fam. My name is Luke and I'm a Product Designer, Photographer, and Filmmaker from Warsaw, Poland. I take photos of everything, but my passion is street and automotive photography. What inspired you to become a photographer and how did you start? I have always been inspired by photography. My father was a photographer, and somehow it worked out that most of the people in my family were involved with photography. As for the specifics, symmetry, night, and long exposures inspire me the most.

 The beginning of my adventure with photography was simply the decision to buy a camera and go out to the garden in front of the house. And when it comes to street photography, there was a moment when the pandemic started and I decided that I had to do something new. In March 2020, I went out on the street for the first time. How did you find your own photography style and what do you think about when you edit your photos? Creating your own style is something that must be clarified over time. In my case, by trial and error. Style also changes with trends. When it comes to photo editing style, I don't seem to have a specific formula for editing a photo. The most important thing is a good photo straight from the camera, and then I'm only limited by my imagination. How do you stay inspired and motivated as a photographer, and what do you do when you feel creatively blocked? I have a rule that I go out at least twice a week. Sometimes it works more often if I don't have other projects. I’m motivated because every week I try to come up with something new that I could create. New photo ideas. New locations. Gear tests. There's a lot of it.

 If you catch a creative block, it's best to let it go for a few days. You have to feel the balance. And the best comeback is to do something completely new. Example - if you have never taken photos in the woods. Go to the woods. What is your favourite photograph that you have ever taken (of those on your IG Page), and why? https://www.instagram.com/p/CHVk3S1HYtc/ 

 The story of this photo is simple. Me and my fiancée went out to take photos and it was just after a heavy rain. Walking down one of the streets we saw a nice big puddle. After taking this pic, we thought it was the best puddle we've ever seen :D What gear do you use? My current go-to setup is Sony A7RV + Sony 24mm 1.4 GM + 50mm 1.2 GM + Sigma 85mm 1.4 DG DN. But I have collected many more. What is your favourite editing software and how much time do you spend editing? My favorite software is Adobe Lightroom. That's where I started my adventure and I'm not going to change it for anything else. 
 As for editing, each photo is different and needs more or less time. I always try to start with a preset as a base. And then it's 10 minutes and sometimes it's an hour. How do you approach shooting in low light situations, and what equipment do you use to achieve the best results? The rest, 5 more questions, of this Interview are for Premium subscribers only. Subscribe to the Premium Version here

Andy can you tell my readers about yourself? I'm Andy, I was born in Milan - Italy, lived in the Alps for 10 years and recently moved to Toronto. Besides photography I'm quite into music. I'm a songwriter and producer How did you get into street photography or photography in general? I've been interested in photography since I was 14. Playing with an old Olympus compact camera. Then when I was 20 I discovered my dad's Om-2 and experimented with it for a while, learning the basics of photography. I always had a camera for my trips and vacations but eventually got into street photography only in 2018. You live in Toronto, how do you deal with tough weather conditions and what preperations do you take before going out to shoot? Oh I love tough weather conditions. Basically I only go out shooting when the conditions are bad cos you can get the bangers. It's not comfortable obviously. I put my camera in a plastic bag taped to the lens hood. And use warm and waterproof clothes. In your opinion what are some qualities for a good photographer? You need to train your eye, meaning the ability to compose the picture in original or more professional or cinematic way. And the readiness to get the shot when a banger appears before your eyes. Sometimes it's just a metter of luck. But sometimes you need to be very patient. What makes or brakes a photo? It could be the right framing, some light or colour details in the picture. The right subject. Especially when all these things are in the shot. Usually what ruins my shots are either autofocus issues or the lack of the things I've mentioned before. How do you stay inspired and motivated to continue creating new and unique photographs? I guess watching other photographers' works, learning from the ones that I like to keep myself motivated or try new little things to use in my shots. And shooting new places or with different angles. What gear do you use ? I use a LumixG9 mainly with a 25mm f1.7, an Olympus 45mm f1.8 and 40-150mm R. In my bag there are a Sigma 16mm f1.4, a Sigma 60mm, a Laowa 7.5mm F2 as well. And sometimes for videos I use some vintage Olympus lenses. What editing software do you use and how much time do you spend editing? The rest, 4 more questions, of this Interview are for Premium subscribers only. Subscribe to the Premium Version here

Can you tell us a bit about yourself? My name is Nini Kachakhidze, but I go as Nina Nayko as my nickname. I’m 24 yr old photographer and content creator. I was born in Tbilisi, Georgia. The inspiration for my photography is my city and my country. I love capturing every detail of it, as it has beautiful nature, culture, various architecture and of course a very unique atmosphere. How did you get into photography? My vision was always ‘’strong’’ since childhood, I always noticed and found beautiful things in my surroundings and I wanted everyone else to see it. When I was 13, my father got me a tablet which could take photos, so I started capturing details I appreciated daily, and then showed it to my friends and shared them online. I quickly fell in love with taking photos, editing them and sharing it to others, and that’s how my journey began. What role does composition play in your photos? Composition is the most important part of my photography, as no matter how you color it, you can’t fix an unstable, unbalanced image. As a photographer, with the details I see around me – I see compositions everywhere, if I think a certain detail is interesting, I won’t really take a photo if I don’t see it as a good composition. Second most important is the color grading, which really helps me transfer the feelings I’ve felt in the moment of taking a photo - through a flat image. What do you think sets your work apart from others in the industry? I simply love what I do and it shows, the ideology of my photography was to always share it to others, let them see how I see the world, and teach them to appreciate the details around them. My photography is firstly for me, and for others as well. I’m staying true to myself meanwhile following the trends and keeping in mind what audience likes. So I think the connection of my art and the general audience is what keeps my work special. How do you stay inspired and motivated to continue creating new and unique photographs?   The urge to take photos is already in my blood. I need that in my life, so wherever I go, my camera comes with me. My country is my inspiration, as it’s so interesting on every step, each walk is something new to explore and photograph, it’s hard to stay uninspired, but making content is different, you always have to push yourself to be consistent as that is a job, think about what audience enjoys, think about stats and numbers, which can be exhausting. But luckily the support I’m receiving from people is always enough to make me feel motivated whenever I feel down. What are some of the most important qualities for a great photographer to have, in your opinion? I think it’s all about taste and love for taking photos, without the love and interest you can’t be a great photographer, if you feel nothing when you take photos, it won’t turn out good. Photography is super subjective, but I know how to rate things objectively, some people have an amazing eye for compositions, but they put Instagram filters over their photos, or just make objectively terrible choices for editing. It is not because of the lack of editing knowledge, when I first started out, I knew nothing about it, but as I look back at my very first photos – they’re done with taste, tons of mistakes, but still with a vision and a specific taste. What gear do you use? I use canon 6D mark ii for photography and my animated photos. I use canon 24-70mm 2.8 lens as it gives me lots of flexibility. I also use canon 75-300mm f4.5-5.6, the cheapest telephoto lens I could find, I’ve been using it for 5 years and it is always fun to use as it has a great zoom. What is your editing software of choice and how much time do you spend editing? I use adobe photoshop and premiere pro. Sometimes I spent 5 minutes on a photo, sometimes 30 minutes, and sometimes days, depends on the complexity, the mood. Video editing and content preparation takes much longer, hours and days, my computer is a little slow so it takes longer than it should. How did you find your signature photography/editing style? As social media switched to videos, I had to switch too, but I really care about quality and the video quality of my camera wasn’t good enough, so I had to get creative. I came across animation processes and realized that when you combine 2 differently edited frames, it’s an animation, I added my own twists, aesthetics and the flickering light animations became my most successful series. Reels or photos? And why? The rest, 6 more questions, of this Interview are for Premium subscribers only. Subscribe to the Premium Version here