All Articles

credits: Sony Fresh rumours suggest Sony is preparing to announce the long-awaited RX10 V, with multiple sources now pointing to an early July 2026 unveiling. If the reports are accurate, it would be the first update to Sony’s bridge camera lineup since the RX10 IV launched back in 2017. So far, leaked specifications remain fairly limited, but most reports describe the RX10 V as a modest refresh rather than a major upgrade. The camera is expected to keep the familiar 20.1MP 1

credits: Praktica Photographers in 2026 have more reusable 35mm film cameras to choose from than they have had in years. Cameras like the Pure35, Lomography’s lineup, and Dubble Film’s SHOW camera have all helped bring film photography back into the spotlight. Now another familiar name has entered the mix with the launch of the Praktica VF212. While the Praktica name will be familiar to many longtime photographers, this new camera has unfortunately very little in common with

credits: TourBox TourBox’s Dynamic Panel V2 is here, bringing a range of new tools to Adobe Lightroom Classic and Lightroom for photographers using a TourBox editing console. Building on the original Dynamic Panel, which replaced Lightroom’s side panels with a cleaner full-screen editing interface, the new version adds several features that users have been asking for. One of the biggest additions is the new Crop Panel, which includes controls for aspect ratio, rotation, zoom,

credits: Leica Alongside the new SL3-P (which we looked at in yesterday's magazine issue), Leica has also announced two new SL lenses, the Summilux-SL 50mm f/1.4 ASPH. and the APO-Macro-Elmarit-SL 100mm f/2.8. The 50mm is the more notable of the two, with Leica claiming it is the world’s most compact autofocus 50mm f/1.4 lens, regardless of mount. It measures 75.5mm in length, 74mm in diameter, weighs 584g, and uses a 67mm filter thread. The lens features an 11-element, 6-gro

credits: Samyang After first being shown at CP+ in late February and teased again a couple of weeks ago, LK Samyang and Schneider-Kreuznach have officially unveiled their new AF 60-180mm f/2.8 full-frame telephoto zoom. The lens completes the companies’ Compact Zoom Series, joining the previously released AF 14-24mm f/2.8 and AF 24-60mm f/2.8. One of its biggest highlights is the weight, coming in at 730g, making it noticeably lighter than many other f/2.8 telephoto zooms in

credits: Godox Godox has introduced the new EazyFlow Beauty Dish, a collapsible light modifier that combines the classic lighting characteristics of a traditional beauty dish with the portability of a folding softbox. Instead of the rigid metal construction used by conventional beauty dishes, the EazyFlow has a quick-release frame that opens and locks into place with the push of a button. Pressing a second button collapses it back down into a slim profile that (according to G

credits: Adobe Adobe’s promised creative agent, or agentic AI, is here. Powered by Adobe Firefly, the new assistant is designed to take care of repetitive editing and organisational tasks through simple text prompts. Rather than making creative decisions for you, Adobe says the AI is there to handle the more routine parts of the workflow while leaving the final creative choices in the hands of photographers, designers, and editors. In Photoshop, you can ask the AI Assistant t

credits: Tamron Tamron has finally brought its 17-70mm f/2.8 Di III-A VC RXD to Canon RF and Nikon Z, expanding availability of the APS-C zoom to all four major mirrorless systems. The lens first launched for Sony E-mount in 2020 before arriving for Fujifilm X-mount in 2022, and has since become one of Tamron’s most popular APS-C standard zooms. With the addition of RF and Z versions, Canon and Nikon users now have access to a fast standard zoom option that has been missing f

credits: ObscuraFlex ObscuraFlex is expanding beyond its original smartphone-based workflow, adding support for dedicated compact cameras as digital capture devices for its large-format camera system. Designed to function as both a digital viewfinder and a full-frame digital back for cameras such as 4×5 field cameras and adapted vintage systems, ObscuraFlex has traditionally relied on smartphones for photo capture. The company says that decision came down to practical advanta