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credits: Canon Looking ahead into 2026, Canon’s roadmap is starting to look pretty busy, at least based on the rumours that have been circulating recently. After a relatively contained 2025, photographers are curious about what comes next and If there is one camera that feels almost inevitable, it is the Canon EOS R7 Mark II. Talk of a new APS-C flagship has been persistent, and reports suggest it could land in the first half of 2026. Specs are still tin, but higher resolutio

credits: Godox Godox updated its smallest battery-powered strobe with the AD100Pro II. This new flash keeps the same 100Ws output and nine-stop power range from 1/256 to full, but the internal design has been revised to better handle sustained use. A new active cooling system with an internal fan allows the AD100Pro II to fire roughly 60 to 100 full-power flashes in sequence without thermal shutdown, depending on conditions. Recycle times are ranging from about 0.01 seconds a

Photo by: @rems.visuals Composition & Framing What works well: Compositionally, the lamp is a bit of a double-edged sword (more on that down below), but on the positive side it absolutely works as a spotlight device. Your eye goes straight to the lamp first, and from there naturally down to the man underneath it. Framing is solid overall. Our subject sits nicely between two posts, which subtly box him in without it feeling forced. The man and the lamp are both off-centre, whi

credits: Nikon Nikon has just announced the Nikkor Z 24–105mm f/4–7.1, a new standard zoom for its full-frame Z-mount mirrorless cameras. The lens can be purchased on its own, but it is also being introduced as a new kit option with the Nikon Z5 II, slotting between Nikon’s existing 24–50mm and 24–200mm kit bundles. From a technical standpoint, the 24–105mm f/4–7.1 uses 12 elements in 10 groups, including one extra-low dispersion element to help manage colour fringing and two

credits: Godox A few days ago, Godox quietly added a new accessory to its lighting lineup with the release of the XR and XRS TTL 2.4GHz wireless receivers, designed to bring broader TTL compatibility and wireless control to existing speedlights. The idea here is that instead of buying into a single brand ecosystem, the XR receiver lets photographers use Canon, Nikon, or Sony flashes more flexibly within Godox’s X wireless system. Both receiver versions feature a built-in 2.4G

credits: Meike Meike has now officially released the AF 23mm f/1.4 prime for APS-C mirrorless cameras, available for Sony E, Fujifilm X, and Nikon Z mounts. On APS-C bodies, the lens gives a field of view equivalent to roughly 35mm on full frame, which puts it in the ‘do-everything’ type of category for street, travel, and general use. It is a fairly compact lens too, measuring about 66.5 × 81 mm and weighing just under 300 grams, depending on mount. Looking at the optics, th

The Rule of Space The Rule of Space is actually pretty simple, it is about giving your subject room to exist and move inside your frame. Instead of centring everything or cramming your subject against the edge, you intentionally leave empty space in the direction they are facing, moving, or looking. What the Rule of Space Means Precisely In practical/completely basis terms, the rule says this: If your subject is looking somewhere → leave space in that direction If your subjec

credits: 7Artisans Some extra details have surfaced around 7Artisans’ upcoming LITE autofocus lens lineup, which includes three APS-C primes, 25mm f/1.8, 35mm f/1.8, and 50mm f/1.8, all designed for Sony E and Fujifilm X mounts. As the name suggests, compact size and low weight seem to be the main focus. All three lenses share a very similar physical design, measuring around 67mm in diameter and 51mm in length, and weighing between 178 and 183 grams depending on the focal len

credits: OWC Other World Computing has added an 8TB option to its Envoy Ultra Thunderbolt 5 SSD lineup, and the main point is that it remains fully bus-powered. OWC says this makes it the first Thunderbolt 5 external drive in the world to offer that much capacity without requiring an external power adapter. In terms of design, the 8TB model is identical to the existing Envoy Ultra drives. It uses the same compact enclosure with integrated heatsinking, rubber feet, and a perma

credits: SG-Image SG-image has announced a new 75mm f/1.2 lens designed for medium format cameras, and while pricing and release timing have not been shared yet, a few core details are already known. A fast f/1.2 aperture on a medium format lens is still relatively unusual, so that alone makes it stand out. From a technical standpoint, the lens uses an optical design of six elements in seven groups and features a 12-blade aperture, which should help produce smooth, rounded ou

credits: Leica Leica is apparently getting back into image sensor development, which is an interesting move in a market where most camera brands rely on the same handful of suppliers. The news comes from comments by Dr. Andreas Kaufmann, Chairman of Leica Camera AG’s Supervisory Board, during a recent appearance on the German-language Leica Enthusiast Podcast. While the conversation touched on everything from Leica’s 100th anniversary to recent products, the most notable take

credits: ProGrade The ongoing global shortage of memory chips is starting to spill over into areas that directly affect photographers and videographers. A big part of the problem is the massive demand coming from AI data centres, which are soaking up flash memory and pushing prices higher across the industry. According to a press release from ProGrade Digital’s Japanese operation, that pressure is now translating into higher prices for memory cards and SSDs, Japan being the f

credits: Meike Meike has confirmed its second-generation AF 85mm f/1.8 SE II, a full-frame autofocus portrait lens designed for the Canon EF mount and co-launched under the MEIREC brand. The lens sticks with the classic 85mm f/1.8 formula that has long been popular for portraits, low-light shooting, and subject separation, but brings an updated SE II autofocus design. It is meant for photographers still using Canon EF DSLRs and those shooting on Canon RF mirrorless bodies via

credits: Canon The Canon EOS R7 Mark II has been floating around the rumour mill for a long time now, but what is starting to firm up is the release time. The camera is now expected to ship in the first half of 2026, which adds a bit more confidence to earlier reports that simply pointed to “2026” in general. There is still no clear announcement date, but the current thinking is that Canon will wait until after the CP+ Camera & Photo Imaging Show, which usually wraps up in ea

credits: Sigma A newly published patent has revealed an interesting optical design for a 24mm f/2.0 lens with an image circle that goes well beyond full-frame. According to the patent documents, the lens is designed to cover sensors larger than 35mm full-frame, including the 44×33mm format used by Fujifilm GFX and Hasselblad X2D cameras. That alone makes it exciting, since wide-angle lenses with fast apertures are still pretty rare in the medium-format world. The design appea

credits: Sony Alpha Rumors A photo of a new SG-Image’s 35mm pancake lens has leaked, giving us an early look at what appears to be the company’s next compact full-frame prime. The lens was spotted mounted on a Sony A7c, with current information pointing to availability for Nikon Z and Leica L mounts as well. According to the leaker, this is a near-production version, and the retail bundle will include a metal square lens hood. In terms of specs, the details that have surfaced

credits: Nikon Nikon is rumoured to be doubling down on video-focused development in 2026, with talk of multiple firmware updates for the Nikon ZR and even a new, more affordable sibling camera. According to multiple reports, the company plans to continue the firmware-heavy approach it has taken over the past few years, where cameras see meaningful feature upgrades long after launch. Given how central video is to the ZR’s identity, it is expected to be one of the main benefic

Abstract Firework Photography The new year is right around the corner, making this an optimal time to brush up on your firework photography skills. However this time, lets do something a bit different, lets focus more on ‘Abstract firework photography’, where you are not trying to show exactly what the fireworks looked like, you want to be using them as raw material to create shapes, textures, and motion that feel closer to painting than photography. A Different Approach Most

credits: Canon The Canon EOS R3 Mark II is starting to appear more consistently in the rumour cycle, with growing speculation that Canon could be preparing it for a pre-Olympics reveal. While there is still no official confirmation, the timing alone has caught people’s attention. Canon has a long history of aligning professional camera announcements with major sporting events, and the 2026 Winter Olympics in Milan would be a very logical moment to introduce or at least tease

credits: Brightin Star Brightin Star has added another manual-focus prime to its lineup with the release of the 35mm f/1.4 for full-frame mirrorless cameras. It is a pretty straightforward lens meant for photographers who prefer compact gear and mechanical controls over autofocus and electronics. The lens is available for Sony E, Canon RF, Nikon Z, L-mount systems and comes in black or silver. Physically, the lens weighs 218 grams and measures about 42mm in length. The body i

credits: Fujifilm Rumours around Fujifilm’s 2026 lineup are starting to solidify, with multiple sources pointing to a broader generational update across both the X Series and GFX systems. At the center of these rumours is a new 5th-generation X-Trans CMOS sensor paired with an updated X-Processor, expected to debut across three key X-series bodies, the X-T6, X-Pro4, and X-H3. The focus appears to be on faster sensor readout, reduced rolling shutter, improved low-light perform