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The Guide to Abstract Street Photography

  • Writer: The Global Photography Community
    The Global Photography Community
  • 12 hours ago
  • 5 min read
Abstract street photo of people walking
Photo by: Alina Behfar (@alina.beez)

The Guide to Abstract Street Photography: Finding Art in the Urban Chaos


Abstract street photography takes the everyday chaos of city life and turns it into something else entirely. Instead of capturing clear faces, recognizable scenes, or obvious stories, it focuses on shapes, colors, lines, shadows, reflections, blur, and fragments of the urban environment. The goal isn't to document reality—it's to evoke a feeling, create mystery, or simply play with visual elements pulled from the streets.


This approach sits somewhere between traditional street photography and pure abstraction. You still work in public spaces with all the movement, light changes, and unpredictability that come with them, but the final image often leaves viewers guessing about what they are actually looking at.


Plenty of photographers have explored this territory over the years. Saul Leiter layered reflections and rain-streaked windows to build dreamlike scenes. William Klein embraced high contrast, grain, and motion. More recent work draws from similar ideas but often mixes in intentional camera movement or extreme crops. The beauty is that you don't need rare locations or perfect conditions—just an open mind and willingness to experiment right where you are.



What Makes a Street Photo Abstract?


An abstract street photo strips away literal context. A person might become a silhouette or a blur of color. A building facade turns into repeating geometric patterns. A puddle reflection distorts the scene into something unrecognizable. The viewer isn't told exactly what happened or who is involved; instead, they respond to mood, rhythm, texture, or pure form.

Common ingredients include:


  • Strong emphasis on color blocks or high-contrast monochrome

  • Layers created by glass, water, or overlapping elements

  • Motion that removes detail rather than freezing it

  • Shadows that dominate or create their own shapes

  • Close crops that isolate fragments from the larger scene


The result often feels more like painting or graphic design than a straightforward photograph.


Abstract street photo of people walking
Alina Behfar

Gear Choices That Help (Without Overcomplicating Things)


You don't need specialized equipment, but certain tools make the process smoother.


Most photographers stick with compact setups for mobility:


  • Mirrorless cameras with good high-ISO performance (Sony A7 series, Fujifilm X-Pro or X100 line, Ricoh GR III) let you shoot discreetly and handle low light well.

  • Smartphones work surprisingly well for quick experiments, especially with apps that allow manual control.


Lenses vary depending on your style:

  • Wider angles (24-35mm equivalent) capture layers and distortions in reflections or crowds.

  • Longer focal lengths (85-135mm) isolate details and compress scenes for cleaner abstraction.

  • Primes with wide apertures (f/1.4-f/2.8) help create shallow depth of field to blur backgrounds aggressively.


Accessories worth having:

  • A small tripod or monopod for intentional blur experiments.

  • Polarizing filter to cut reflections or deepen colors.

  • Extra batteries—long sessions eat power fast.


The key is keeping things light so you can move freely and react without thinking too much about gear.


Abstract street photo of people walking
Alina Behfar

Core Techniques to Build Abstract Images


1. Reflections and Distortions


Windows, puddles, polished metal, and vehicle side mirrors create natural layers. Position yourself so the reflection overlaps or warps the real scene. Rainy days are gold for this—droplets on glass add texture and break up forms. Try shooting through steamed-up bus windows or store displays at night when interior lights mix with street glow.


2. Shadows and Light Play


Strong midday sun or low-angle golden-hour light throws dramatic shadows across sidewalks, walls, and people. Expose for the highlights so shadows go deep black, turning walkers into simple shapes. Look for repeating shadow patterns from railings, trees, or architecture. Cast shadows from off-frame subjects can become the main element.


3. Intentional Blur and Motion


Slow your shutter speed (1/15s to 1/2s or longer) and move the camera deliberately—up/down for vertical streaks, panning to follow motion, or small circles for swirling effects. This works especially well during blue hour when ambient light allows longer exposures without overexposure. Handheld blur adds a painterly quality that feels alive.


4. Layers and Overlaps


Position elements between you and the background—people walking past shop windows, reflections overlapping pedestrians, signs in front of crowds. The more layers, the more complex and less literal the image becomes. Saul Leiter mastered this by shooting through multiple glass surfaces.


5. Extreme Crops and Isolation


Zoom in tight or crop heavily in post to remove context. A fragment of graffiti, a repeating tile pattern, or a sliver of neon sign can stand alone as pure form. Fill the frame and let negative space do the work.


6. Color vs. Monochrome Decisions


Color adds emotional weight—vibrant urban palettes, complementary contrasts, or muted tones. Monochrome simplifies to pure shape and texture, emphasizing graphic qualities. Try both on the same scene to see which version speaks louder.


Abstract street photo of people walking
Alina Behfar

Composition Tips Tailored to Abstraction


Forget strict rules, but borrow what works:


  • Use negative space aggressively to isolate forms.

  • Look for rhythm in repeating lines, patterns, or shadows.

  • Play with diagonals and asymmetry for tension.

  • Embrace off-kilter framing—slightly tilted horizons or unconventional angles add unease or energy.

  • Simplify ruthlessly—remove anything that pulls focus back to literal reality.


Walk slowly and scan for graphic potential before even raising the camera. Train yourself to see shapes first, subjects second.


Settings to Get Started


Start in aperture priority or manual:


  • Aperture: f/5.6-f/11 for deeper depth when layering; f/2-f/4 for isolating fragments with blur.

  • Shutter speed: 1/250s or faster for sharp abstracts; 1/15s or slower for motion experiments (use a stable hold or tripod).

  • ISO: Keep it low (100-400) in daylight for clean files; push to 1600+ at night if needed.

  • Focus: Manual or single-point AF to control exactly what stays sharp.

  • RAW format gives maximum flexibility for color and contrast adjustments later.


Bracket exposures when working with extreme light/shadow contrasts.



Finding Subjects in the City


Abstract opportunities hide everywhere:


  • Construction sites: Tarps, scaffolding, barriers in bright colors.

  • Shop windows and signage: Layered reflections, typography, mannequins.

  • Public transport: Windows, motion, crowded platforms.

  • Alleys and underpasses: Dramatic light shafts, graffiti textures.

  • Busy intersections: Blurred crowds, traffic lights, wet pavement.


Rain transforms ordinary streets—puddles create mirrors, droplets add sparkle. Night brings neon, streetlights, and long-exposure possibilities.



Post-Processing for Impact


Keep edits subtle but purposeful:


  • Boost contrast to make shapes pop.

  • Adjust white balance for mood—cooler tones for mystery, warmer for energy.

  • Dodge and burn to emphasize key areas.

  • Selective color adjustments to heighten certain hues.

  • Crop aggressively to strengthen composition.

  • Add controlled grain for a film-like feel if shooting digital.


Avoid heavy-handed filters—let the abstraction come from the capture, not the edit.


Abstract street photo of people walking
Alina Behfar

Common Challenges and Fixes


  • Busy scenes overwhelming the frame: Move closer or zoom tighter to isolate.

  • Harsh midday light flattening colors: Embrace the contrast or wait for softer conditions.

  • Fear of looking odd while experimenting: Dress plainly, move confidently—most people don't notice.

  • Images feeling too literal: Crop harder, increase blur, or convert to black and white.


Practice regularly in the same familiar area. You'll start seeing potential everywhere.



Inspiration from Photographers


Look at:


  • Saul Leiter for masterful layering and color use.

  • William Klein for raw energy and experimental blur.

  • Contemporary work from LensCulture Street Photography Awards winners or Minimalist Photography Awards abstract categories.

  • Instagram accounts focused on abstract urban work (search tags like #abstractstreet or #urbanabstract).


Books and exhibitions featuring these photographers help train your eye.



Final Thoughts


Abstract street photography rewards patience and play. Walk without a fixed plan, slow down, experiment freely, and trust your gut when something feels visually interesting—even if you can't explain why. The streets are full of raw material waiting to be reimagined.

Grab your camera, head out, and see what emerges. The best part is that every outing teaches you something new about looking.

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