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credits: SongRaw SongRaw’s new AF 85mm f/1.2 MS “Youth Edition” is here. It is a full-frame autofocus portrait lens for Sony E and Nikon Z mounts, and despite the “Youth Edition” name, it is not a stripped-down budget lens. Instead, it is a slightly more affordable addition to the company’s lineup while still offering features such as a bright f/1.2 aperture, weather sealing, and a body made from aviation-grade aluminium. Optically, the lens uses an 18-element, 10-group optic

credits: Panasonic A newly published Panasonic patent suggests the company could be working on a much more compact macro lens, one that retracts when it is not in use to make it easier to carry around. The patent, P2026104790, describes a lens with a control ring that switches between three different positions. A fully retracted transport mode, a standard shooting mode, and an extended macro mode. As is always the case with patents, there is no guarantee this will ever become

credits: Reflx Lab 110 film has long been one of the most niche formats in analog photography, with Lomography being the only company producing fresh 110 film for the past 15 years. That is now changing, as Reflx Lab has announced two new 110 film stocks, giving photographers another option for the cartridge-based format. The new releases include Fortuna C200color negative film and 100R Color Reversal slide film, with Reflx Lab also saying that more premium 110 films are alre

credits: BenQ BenQ’s new Creative Pro PD2732U monitor is here. It is the first display in the company’s refreshed Creative Pro lineup for photographers, video editors, and graphic designers. The new display features a 27-inch 4K UHD (3840 × 2160) IPS panel that covers 99% of the Adobe RGB, 99% of the DCI-P3, and 100% of the sRGB colour space, making it well suited to both photo and video editing while coming in at a relatively accessible $699.99 price point. There are a few t

credits: Viltrox Viltrox has officially started teasing the upcoming AF 26mm f/2.8 EVO, with the company confirming the launch on its own social media channels. The pancake lens is now expected to arrive later this month for Sony E and Nikon Z mounts, with an L-Mount version expected to follow a few months later. Alongside the AF 26mm f/2.8 EVO, Viltrox has already introduced the AF 28mm f/4.5 for L-Mount and has several other lenses in the pipeline. The 26mm f/2.8 EVO is des

credits: Nikon Nikon could be bringing back its canceled DL compact camera series, according to a new rumour floating around the internet. The rumour is based on a single source and has not yet been confirmed in any way, so it is worth taking with a healthy dose of skepticism. If accurate, though, it would mark the return of a camera lineup that Nikon originally announced back in 2016, only to cancel before it ever reached store shelves. According to the rumour, the new camer

credits: photorumors Fujifilm Meike has announced that its first autofocus lens for the Fujifilm GFX system will be officially unveiled on July 10. The new AF 85mm f/1.8 marks an important step for the company, becoming one of the first third-party autofocus lenses designed for Fujifilm’s medium-format system. The announcement follows teasers shown at the China P&E Imaging Show 2026, although Meike is still keeping the full specifications under wraps. On Fujifilm’s GFX camera

credits: SG-Image SG-Image’s previously rumoured AF 25mm f/1.8 lens is finally here. Designed for Micro Four Thirds cameras, the lens offers a 50mm full-frame equivalent field of view, making it a good fit for street photography, portraits, travel, and general everyday shooting. It is also pretty compact, although it does not quite reach full pancake proportions. On the inside, the lens has a 7-element, 5-group optical design, including three high-refractive-index elements th

credits: Adobe Adobe has rolled out its June update for Lightroom Classic, adding several practical features meant for photographers who regularly work with large photo libraries and high-volume shoots. Funny enough, the update was actually first released around June 20, but Adobe pulled it shortly afterward after discovering a data-loss bug linked to the new Duplicates feature. Now, the company released Version 15.4.1, which fixes that issue. One of the biggest additions is

credits: Hasselblad/Capture One Hasselblad and Capture One have officially announced a partnership, finally bringing native Hasselblad RAW support to the software after years of requests from photographers. Starting with Capture One 16.8.3, you can now import, organise, and edit Hasselblad .3FR RAW files directly inside Capture One. Until now, Hasselblad photographers often had to rely on file conversions or other workarounds, which could reduce image quality and limit editin

credits: Sirui Sirui is teasing three new lenses ahead of an official launch on July 6, expanding its VP-1 lineup with a 15mm T1.6, 75mm T1.4, and 150mm T4 Macro. While the launch date is new, the lenses themselves are not exactly a complete surprise. Sirui first showed them at NAB 2026 back in April, and pre-orders for the new three-lens set are already open. With these additions, the VP-1 series grows to six full-frame primes, joining the existing 24mm, 35mm, and 50mm T1.4

credits: Reflex Lab Reflx Lab has introduced Diablo 100, a new experimental redscale colour film based on Lucky C200 film stock. Like other redscale films, Diablo 100 is created by loading the film backward, allowing light to pass through the transparent base before reaching the light-sensitive emulsion. This changes the way the film records colour, producing photos dominated by deep reds, oranges, and warm yellow tones instead of the more natural colours you would normally g