top of page

Bring photography news straight to your inbox!

Sign up to our free email magazine.

(No more Google pop-up ads + you also get a free Lightroom Preset when you sign up 😉)

Photo Analysis: Tokyo Staircase

Writer: The Magazine For Photographers
The Magazine For Photographers
2 hours ago
3 min read
Photo by: @jungraphy_
Photo by: @jungraphy_

Composition, Framing & Leading Lines


What works well:


  • The strongest aspect in my opinion is the way the staircases and railings create a number of diagonal leading lines → hey guide our eyes through the photo and toward the person carrying the umbrella, who becomes the main point of interest (the elevated camera position obviously helps with that).

  • The person/white umbrella is pretty close to the centre, which makes it immediately recognisable against the darker surroundings + it works like a visual anchor around which the staircase etc. is arranged.

  • The staircase in the upper portion creates a strong diagonal that moves from the upper left toward the right side, while the lower staircase introduces another set of lines moving in a different direction. This creates a nice visual flow.

  • The railings also provide a frame-within-a-frame effect around the person.


What could be better:


  • The white umbrella is pretty visible, but the person underneath it almost disappears into the dark staircase.

  • The lower portion contains quite a lot of dark space which adds visual weight without contributing much additional information.

  • The upper staircase is also very dominant and occupies a considerable portion of the composition. It starts to compete a little with our subject because of its strong diagonal direction, repeated lines and brighter elements.


Light & Atmosphere


What works well:


  • The light is very soft and there are no harsh shadows

  • I like how the wet pavement reflects the available light. The brighter surfaces in the upper half contrast nicely with the darker staircases and railings.

  • The white umbrella catches much more light than the surroundings making it the brightest and most immediately noticeable object in here.

  • The pretty low-key exposure gives the photo a quiet, somewhat moody look that fits the rainy days vibe.

  • The small reflections on the metal handrails add small highlights throughout the composition, reinforcing the shapes without making them overly distracting + reinforcing the leading lines.


What could be better:


  • The photo is obviously quite dark overall, especially in the lower half. Some of the details are difficult to recognise because the shadows are so deep.

  • The person underneath the umbrella is particularly underexposed, the body blends into the dark railings and stairs.

  • The lower staircase could benefit from slightly more shadow detail to reveal its structure and create a smoother tonal transition.

  • The wet pavement in the upper-left is relatively bright and starts to compete with the umbrella for attention a bit.


Colour & Tone


What works well:


  • The colour palette is restrained. The photo is dominated by dark blue-grey tones, which again works well with the rainy setting.

  • The slightly warmer, maybe cream-coloured umbrella gives a good colour contrast against the cooler surroundings.

  • The different shades of grey and blue help distinguish the tiled pavement, metal railings and staircases.

  • The dark tones give the photo a relatively minimalist look despite the amount of detail.

  • The highlights on the wet surfaces here and there provide enough tonal variation to prevent the composition from becoming entirely flat.


What could be better:

        Want to read more?

        Subscribe to themagazineforphotographers.com to keep reading this exclusive post.

        Top Stories

        bottom of page