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Photo Analysis: Traffic Lights

Writer: The Magazine For Photographers
The Magazine For Photographers
2 hours ago
3 min read
Photo by: @philpenman
Photo by: @philpenman

Composition & Framing


What works well:


  • The (more or less) centred silhouette is a very clean anchor point for the photo. We have all the traffic lights and buildings converging inward, so he sits right where your eye naturally lands.

  • The traffic lights basically act like downward-facing leading lines, the top ones lead to the next ones, those lead to the next etc. and eventually you land on our subject, the man. If you look even closer you might even see that the traffic lights lead in a sort of zig zag pattern so the first left then the first right then the second right and so on. That flow is pretty cool.

  • The buildings and the traffic lights together create a narrow tunnel frame around the scene, which makes it feel intentionally boxed in, which really enhances the mood (more on that below).

  • The depth is really strong too, because of all the layers: lights → person/ snowy trees → cars → buildings. It gives it all a great 3D effect.


What could be better:


  • The man could have been caught half a second later, just enough so he would land perfectly in the centre and also move slightly away from that car behind him on the right. Right now there is a small background overlap (so the separation is not the best).

  • The big traffic light in the top left does feel visually heavy and it throws off the balance a bit.


Light & Atmosphere


What works well:


  • The atmosphere is probably one of the best aspects. We have that thick winter haze mixed with the frost on the trees which creates a distinct look. The snow haze is especially nice because it softens all the edges and makes the city feel like it’s disappearing into nothing.

  • The red traffic lights absolutely pop and become basically the stars of the scene (it really is what makes this photo special).

  • The mood overall is strong. It is cold, quiet, moody, and (especially, in my opinion)surreal. The frost and haze make the buildings look abandoned almost, which gives everything this film-noir, dystopian, apocalypse vibe.


What could be better:


  • It is overall a bit dark, lifting some of the shadows could have revealed more texture in the branches and below the buildings (street area) without breaking the mood.

  • A few of the traffic lights might be too bright for some people. Really depends on your own philosophy, me personally I would say yes they are a bit bright and yes they steal a bit of attention from our subject, however they are also what makes this photo so special and unique looking so I would keep them as bright and dominant as they are.


Emotion & Story


What works well:


  • The loneliness and mood of the scene definitely comes through, one person walking through a fog-covered city, everything muted and cold.

  • Again, everything looks very dystopian/apocalyptic because of the fog, quiet streets etc. which is an unusual but pretty cool look.


What could be better:


  • Strictly storytelling wise we don’t really get to see the man in high detail and there is nothing particularly interesting about him that can tell us a clearer story or what he is doing precisely (for example if he were waring a reflective jacket and a shovel or something we could say, ok he is probably a worker clearing the snow), the only thing we have is the posture, the fact that he is wearing a hood and has his hands inside his jacket pockets so we can assume that it is in fact very cold (and possibly windy).


Colour & Tone

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